Shodo (書道, way of writing) is the art of Japanese calligraphy that uses a brush to paint individual characters, words, or short poems. Most Japanese people studied shodo in school and have an appreciation for this art.
This art is produced through writing with sumi (black ink) and a brush, on paper, using Japanese or Chinese characters. The art of calligraphy is considered a metaphor for life itself, thus alternating strong brush strokes with more delicate ones, varying the effect according to speed, ink color, pressure on the paper, spacing between strokes, and the material used.
See also: 15 Types of Japanese Art and Cultural Techniques

The art of writing originated in China over 3,000 years ago, around 1,300 BC during the Yin dynasty. It was introduced to Japan at the end of the Yuan dynasty and has advanced throughout Japan’s history.
The Hiragana was created thanks to the art of Shodo. The Kanjis deformed by brush artists gave rise to rounder and simpler forms, which inspired the creators of Hiragana.
Shodo in Modern Times
Nowadays, Shodo is still highly valued; some dedicate their entire lives to this art, and various competitions for all ages take place to honor the art. Around the world, people have awakened an interest in the art of Shodo.
The first Japanese immigrants who came to Brazil in 1908 already brought the art of Shodo. Moreover, it was common for them to bring in their luggage examples of calligraphic art drawn by artists to adorn the walls of their new homes. In 1975, Shodo gained a significant boost in Brazil with the “Exhibition of Modern Calligraphic Art from Japan.”

Life of a Calligrapher
It may seem simple, but it requires concentration; the person must be inspired and must have practice, some are placed in intensive training from childhood.
The life of a calligrapher is not so simple. It is not just about writing letters on paper; the materials for practicing traditional shodo are expensive, and most of the time, stores prefer to print a digitized shodo, and even some professionals save money by using cheap ink and paper.
Besides writing and participating in competitions, a calligrapher often teaches classes, also works with banners, posters, and signs for various purposes, whenever there is a need or preference for manual writing, such as in some festivals, traditional events, and typical stores. Thus, a shodo practitioner survives.
Like a painter, the goal of the Shodo master is to provoke sensations and feelings in the people who see their works. Like any artist, the great challenge of the Eastern calligrapher is not only to master the technique and the rules but to be able to go beyond them and develop a personal style. To learn more about the life of a shodo artist, we recommend the anime Barakamon.
Principles and Techniques of Shodo

Tensho 篆書 – It is the most primitive and archaic style of writing, from which all others originated.
Reisho 隷書 – Clerical writing – It is a simplification of Tensho.
Kaisho 楷書 – Straight lines. Its form is more square, and its lines are straight, firm, and precise.
Gyosho 行書 – Semi cursive. These are writings done quickly with smooth and rounded lines and semi-sequential strokes.
Sosho 草書 – Cursive, Italic. Also called grass writing. The writing is done in an impetuous, quick, and sequential manner.
Tools of Shodo
In shodo, a large number of tools are used to create the art of writing.

Suzuri (硯 – inkstone) – A utensil used to hold the ink. They are made of stone and also have a concavity where a small amount of water is placed, which will be used to dilute the ink stick.
Fude (筆 – brush) – There are various types, sizes, and thicknesses. The tips vary, and the hairs used are from sheep, ram, badger, and others.
Sumi (墨 – ink stick) – Ink based on charcoal. It can be in solid form, needing to be diluted in water, or in liquid form, ready for use. However, traditional art recommends using the solid form, as the preparation and dilution of the ink is seen as a moment of concentration, where the artist seeks inspiration to compose the art. The older, the better; the best ones are 50 to 100 years old.
Bunchin (文鎮 – paperweight) – Helps keep the paper still to facilitate the artist, preventing possible mistakes if the paper moves; it is usually made of iron or ceramic.
Shitajiki (下敷き – cloth) – To place under the paper to prevent ink from leaking and staining the area. (can be replaced by newspaper)
Washi (和紙 – rice paper) – It is a special paper made with fibers from rice, bamboo, or banana tree leaves. It is handmade and does not use chemical components. This makes its durability extremely superior to common paper.
Some tend to stamp their works with a Japanese seal: Inkan or Hanko.
Online Shodo Course – Introduction to Japanese Calligraphy
Learn the history, techniques, and details of Japanese calligraphy Shodo with this online course from Domestika taught by Rie Takeda.
In this course, you will learn Shodo, Mushin Mind, Styles and techniques of Shodo, Tools and Materials used in Shodo, Basic brush movements, fundamental strokes, creation of a Shodo piece and a creation stamp.
To know more details and enroll in this Japanese calligraphy course, just access the button below and see all the details:
Videos about Shodo
Want to understand a little more about the art of shodo? To conclude, we leave some videos below:

















































































![The meaning of ReiWa [令和] – New era of Japan](https://skdesu.com/wp-content/uploads/2019/04/reiwa.webp)
![The meaning of ReiWa [令和] - New era of Japan The meaning of ReiWa [令和] of the new era of Japan](https://i0.wp.com/skdesu.com/wp-content/uploads/2019/04/nova-era-reiwa.webp?ssl=1)
![The meaning of ReiWa [令和] - New era of Japan The meaning of ReiWa [令和] of the new era of Japan](https://i0.wp.com/skdesu.com/wp-content/uploads/2015/10/hanami-sakura-rio.webp?ssl=1)
![The meaning of ReiWa [令和] - New era of Japan The meaning of ReiWa [令和] of the new era of Japan](https://i0.wp.com/skdesu.com/wp-content/uploads/2019/04/reiwa.webp?ssl=1)
























